Why does a metal block make a shrill sound but not a wooden block upon hammering?
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When hammered, a metal block makes a shrill sound but not a wooden block of identical shape. Is it that the wooden block vibrates with lesser frequency than the metal block? If so, why is that? Also why is the vibration of a metallic block more visible than a wooden block? More amplitude?
solid-state-physics acoustics everyday-life elasticity vibrations
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add a comment |
$begingroup$
When hammered, a metal block makes a shrill sound but not a wooden block of identical shape. Is it that the wooden block vibrates with lesser frequency than the metal block? If so, why is that? Also why is the vibration of a metallic block more visible than a wooden block? More amplitude?
solid-state-physics acoustics everyday-life elasticity vibrations
$endgroup$
add a comment |
$begingroup$
When hammered, a metal block makes a shrill sound but not a wooden block of identical shape. Is it that the wooden block vibrates with lesser frequency than the metal block? If so, why is that? Also why is the vibration of a metallic block more visible than a wooden block? More amplitude?
solid-state-physics acoustics everyday-life elasticity vibrations
$endgroup$
When hammered, a metal block makes a shrill sound but not a wooden block of identical shape. Is it that the wooden block vibrates with lesser frequency than the metal block? If so, why is that? Also why is the vibration of a metallic block more visible than a wooden block? More amplitude?
solid-state-physics acoustics everyday-life elasticity vibrations
solid-state-physics acoustics everyday-life elasticity vibrations
edited 10 hours ago
mithusengupta123
asked 10 hours ago
mithusengupta123mithusengupta123
1,24711435
1,24711435
add a comment |
add a comment |
2 Answers
2
active
oldest
votes
$begingroup$
Is it that the wooden block vibrates with lesser frequency than the
metal block? If so, why is that?
'Yes', to the first question.
Metal is stiffer than wood and produces higher frequencies (higher pitch).
This follows from the wave equation (here in one dimension):
$$u_{tt}=frac{E}{rho}u_{xx}$$
$E$ is Young's Modulus and $rho$ the material's density.
When solved, the solution contains a time-dependent term like this:
$$cosBig(frac{npi ct}{L}Big)$$
where $n=1,2,3,...$, and $c=sqrt{frac{E}{rho}}$ and $L$ a chracteristic length (e.g. the length of a clamped string).
To find the frequencies:
$$cos omega t=cosBig(frac{npi ct}{L}Big)$$
$$omega=2pi f=frac{npi c}{L}$$
$$f=frac{n}{2L}sqrt{frac{E}{rho}}$$
The fundamental frequency (for $n=1$) is given by:
$$f_1=frac{1}{2L}sqrt{frac{E}{rho}}$$
So for stiffer materials, i.e. larger $E$, the fundamental frequency (as well as the harmonics) is higher.
$endgroup$
$begingroup$
Thanks. How will this change if instead of a string I consider a metallic block? Why is the vibration of metal block more visible than the wooden block? Why more amplitude?
$endgroup$
– mithusengupta123
9 hours ago
$begingroup$
The principle that applies to a string also applies to other shapes/objects. The amplitude should mainly depend on how much energy was put in initially, i.e. how hard the block was struck.
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– Gert
9 hours ago
$begingroup$
I meant subjected to the same supply of energy i,e., same way of hammering on two blocks of identical shape, one of wood and the other of a metal.
$endgroup$
– mithusengupta123
8 hours ago
add a comment |
$begingroup$
The metal block has a relatively low level of internal damping, however the wooden block has a high level of internal damping: Much of the energy imparted to the wooden block is dissipated internally as heat and deformation, also the higher frequencies are damped more than the lower frequencies (it acts like a low pass filter).
So the wooden block will vibrate with fewer harmonics (hence less shrill) and also with lower amplitude (and also with lower duration).
$endgroup$
1
$begingroup$
Hmm. The way humans perceive a note's pitch is by the fundamental frequency of the note. Filtering out more or less higher harmonics doesn't change the pitch, it only changes the timbre. That why a particular note played on a piano and a clarinet sound differently, even if the pitch remains the same.
$endgroup$
– Gert
7 hours ago
$begingroup$
Good catch--I edited my answer.
$endgroup$
– user45664
5 hours ago
$begingroup$
Why though: Because of the way the atoms are arranged. And without a crystalline structure (as all metals have), it's not going to sound very good.
$endgroup$
– Mazura
3 mins ago
add a comment |
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2 Answers
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2 Answers
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$begingroup$
Is it that the wooden block vibrates with lesser frequency than the
metal block? If so, why is that?
'Yes', to the first question.
Metal is stiffer than wood and produces higher frequencies (higher pitch).
This follows from the wave equation (here in one dimension):
$$u_{tt}=frac{E}{rho}u_{xx}$$
$E$ is Young's Modulus and $rho$ the material's density.
When solved, the solution contains a time-dependent term like this:
$$cosBig(frac{npi ct}{L}Big)$$
where $n=1,2,3,...$, and $c=sqrt{frac{E}{rho}}$ and $L$ a chracteristic length (e.g. the length of a clamped string).
To find the frequencies:
$$cos omega t=cosBig(frac{npi ct}{L}Big)$$
$$omega=2pi f=frac{npi c}{L}$$
$$f=frac{n}{2L}sqrt{frac{E}{rho}}$$
The fundamental frequency (for $n=1$) is given by:
$$f_1=frac{1}{2L}sqrt{frac{E}{rho}}$$
So for stiffer materials, i.e. larger $E$, the fundamental frequency (as well as the harmonics) is higher.
$endgroup$
$begingroup$
Thanks. How will this change if instead of a string I consider a metallic block? Why is the vibration of metal block more visible than the wooden block? Why more amplitude?
$endgroup$
– mithusengupta123
9 hours ago
$begingroup$
The principle that applies to a string also applies to other shapes/objects. The amplitude should mainly depend on how much energy was put in initially, i.e. how hard the block was struck.
$endgroup$
– Gert
9 hours ago
$begingroup$
I meant subjected to the same supply of energy i,e., same way of hammering on two blocks of identical shape, one of wood and the other of a metal.
$endgroup$
– mithusengupta123
8 hours ago
add a comment |
$begingroup$
Is it that the wooden block vibrates with lesser frequency than the
metal block? If so, why is that?
'Yes', to the first question.
Metal is stiffer than wood and produces higher frequencies (higher pitch).
This follows from the wave equation (here in one dimension):
$$u_{tt}=frac{E}{rho}u_{xx}$$
$E$ is Young's Modulus and $rho$ the material's density.
When solved, the solution contains a time-dependent term like this:
$$cosBig(frac{npi ct}{L}Big)$$
where $n=1,2,3,...$, and $c=sqrt{frac{E}{rho}}$ and $L$ a chracteristic length (e.g. the length of a clamped string).
To find the frequencies:
$$cos omega t=cosBig(frac{npi ct}{L}Big)$$
$$omega=2pi f=frac{npi c}{L}$$
$$f=frac{n}{2L}sqrt{frac{E}{rho}}$$
The fundamental frequency (for $n=1$) is given by:
$$f_1=frac{1}{2L}sqrt{frac{E}{rho}}$$
So for stiffer materials, i.e. larger $E$, the fundamental frequency (as well as the harmonics) is higher.
$endgroup$
$begingroup$
Thanks. How will this change if instead of a string I consider a metallic block? Why is the vibration of metal block more visible than the wooden block? Why more amplitude?
$endgroup$
– mithusengupta123
9 hours ago
$begingroup$
The principle that applies to a string also applies to other shapes/objects. The amplitude should mainly depend on how much energy was put in initially, i.e. how hard the block was struck.
$endgroup$
– Gert
9 hours ago
$begingroup$
I meant subjected to the same supply of energy i,e., same way of hammering on two blocks of identical shape, one of wood and the other of a metal.
$endgroup$
– mithusengupta123
8 hours ago
add a comment |
$begingroup$
Is it that the wooden block vibrates with lesser frequency than the
metal block? If so, why is that?
'Yes', to the first question.
Metal is stiffer than wood and produces higher frequencies (higher pitch).
This follows from the wave equation (here in one dimension):
$$u_{tt}=frac{E}{rho}u_{xx}$$
$E$ is Young's Modulus and $rho$ the material's density.
When solved, the solution contains a time-dependent term like this:
$$cosBig(frac{npi ct}{L}Big)$$
where $n=1,2,3,...$, and $c=sqrt{frac{E}{rho}}$ and $L$ a chracteristic length (e.g. the length of a clamped string).
To find the frequencies:
$$cos omega t=cosBig(frac{npi ct}{L}Big)$$
$$omega=2pi f=frac{npi c}{L}$$
$$f=frac{n}{2L}sqrt{frac{E}{rho}}$$
The fundamental frequency (for $n=1$) is given by:
$$f_1=frac{1}{2L}sqrt{frac{E}{rho}}$$
So for stiffer materials, i.e. larger $E$, the fundamental frequency (as well as the harmonics) is higher.
$endgroup$
Is it that the wooden block vibrates with lesser frequency than the
metal block? If so, why is that?
'Yes', to the first question.
Metal is stiffer than wood and produces higher frequencies (higher pitch).
This follows from the wave equation (here in one dimension):
$$u_{tt}=frac{E}{rho}u_{xx}$$
$E$ is Young's Modulus and $rho$ the material's density.
When solved, the solution contains a time-dependent term like this:
$$cosBig(frac{npi ct}{L}Big)$$
where $n=1,2,3,...$, and $c=sqrt{frac{E}{rho}}$ and $L$ a chracteristic length (e.g. the length of a clamped string).
To find the frequencies:
$$cos omega t=cosBig(frac{npi ct}{L}Big)$$
$$omega=2pi f=frac{npi c}{L}$$
$$f=frac{n}{2L}sqrt{frac{E}{rho}}$$
The fundamental frequency (for $n=1$) is given by:
$$f_1=frac{1}{2L}sqrt{frac{E}{rho}}$$
So for stiffer materials, i.e. larger $E$, the fundamental frequency (as well as the harmonics) is higher.
edited 9 hours ago
answered 10 hours ago
GertGert
17.8k32959
17.8k32959
$begingroup$
Thanks. How will this change if instead of a string I consider a metallic block? Why is the vibration of metal block more visible than the wooden block? Why more amplitude?
$endgroup$
– mithusengupta123
9 hours ago
$begingroup$
The principle that applies to a string also applies to other shapes/objects. The amplitude should mainly depend on how much energy was put in initially, i.e. how hard the block was struck.
$endgroup$
– Gert
9 hours ago
$begingroup$
I meant subjected to the same supply of energy i,e., same way of hammering on two blocks of identical shape, one of wood and the other of a metal.
$endgroup$
– mithusengupta123
8 hours ago
add a comment |
$begingroup$
Thanks. How will this change if instead of a string I consider a metallic block? Why is the vibration of metal block more visible than the wooden block? Why more amplitude?
$endgroup$
– mithusengupta123
9 hours ago
$begingroup$
The principle that applies to a string also applies to other shapes/objects. The amplitude should mainly depend on how much energy was put in initially, i.e. how hard the block was struck.
$endgroup$
– Gert
9 hours ago
$begingroup$
I meant subjected to the same supply of energy i,e., same way of hammering on two blocks of identical shape, one of wood and the other of a metal.
$endgroup$
– mithusengupta123
8 hours ago
$begingroup$
Thanks. How will this change if instead of a string I consider a metallic block? Why is the vibration of metal block more visible than the wooden block? Why more amplitude?
$endgroup$
– mithusengupta123
9 hours ago
$begingroup$
Thanks. How will this change if instead of a string I consider a metallic block? Why is the vibration of metal block more visible than the wooden block? Why more amplitude?
$endgroup$
– mithusengupta123
9 hours ago
$begingroup$
The principle that applies to a string also applies to other shapes/objects. The amplitude should mainly depend on how much energy was put in initially, i.e. how hard the block was struck.
$endgroup$
– Gert
9 hours ago
$begingroup$
The principle that applies to a string also applies to other shapes/objects. The amplitude should mainly depend on how much energy was put in initially, i.e. how hard the block was struck.
$endgroup$
– Gert
9 hours ago
$begingroup$
I meant subjected to the same supply of energy i,e., same way of hammering on two blocks of identical shape, one of wood and the other of a metal.
$endgroup$
– mithusengupta123
8 hours ago
$begingroup$
I meant subjected to the same supply of energy i,e., same way of hammering on two blocks of identical shape, one of wood and the other of a metal.
$endgroup$
– mithusengupta123
8 hours ago
add a comment |
$begingroup$
The metal block has a relatively low level of internal damping, however the wooden block has a high level of internal damping: Much of the energy imparted to the wooden block is dissipated internally as heat and deformation, also the higher frequencies are damped more than the lower frequencies (it acts like a low pass filter).
So the wooden block will vibrate with fewer harmonics (hence less shrill) and also with lower amplitude (and also with lower duration).
$endgroup$
1
$begingroup$
Hmm. The way humans perceive a note's pitch is by the fundamental frequency of the note. Filtering out more or less higher harmonics doesn't change the pitch, it only changes the timbre. That why a particular note played on a piano and a clarinet sound differently, even if the pitch remains the same.
$endgroup$
– Gert
7 hours ago
$begingroup$
Good catch--I edited my answer.
$endgroup$
– user45664
5 hours ago
$begingroup$
Why though: Because of the way the atoms are arranged. And without a crystalline structure (as all metals have), it's not going to sound very good.
$endgroup$
– Mazura
3 mins ago
add a comment |
$begingroup$
The metal block has a relatively low level of internal damping, however the wooden block has a high level of internal damping: Much of the energy imparted to the wooden block is dissipated internally as heat and deformation, also the higher frequencies are damped more than the lower frequencies (it acts like a low pass filter).
So the wooden block will vibrate with fewer harmonics (hence less shrill) and also with lower amplitude (and also with lower duration).
$endgroup$
1
$begingroup$
Hmm. The way humans perceive a note's pitch is by the fundamental frequency of the note. Filtering out more or less higher harmonics doesn't change the pitch, it only changes the timbre. That why a particular note played on a piano and a clarinet sound differently, even if the pitch remains the same.
$endgroup$
– Gert
7 hours ago
$begingroup$
Good catch--I edited my answer.
$endgroup$
– user45664
5 hours ago
$begingroup$
Why though: Because of the way the atoms are arranged. And without a crystalline structure (as all metals have), it's not going to sound very good.
$endgroup$
– Mazura
3 mins ago
add a comment |
$begingroup$
The metal block has a relatively low level of internal damping, however the wooden block has a high level of internal damping: Much of the energy imparted to the wooden block is dissipated internally as heat and deformation, also the higher frequencies are damped more than the lower frequencies (it acts like a low pass filter).
So the wooden block will vibrate with fewer harmonics (hence less shrill) and also with lower amplitude (and also with lower duration).
$endgroup$
The metal block has a relatively low level of internal damping, however the wooden block has a high level of internal damping: Much of the energy imparted to the wooden block is dissipated internally as heat and deformation, also the higher frequencies are damped more than the lower frequencies (it acts like a low pass filter).
So the wooden block will vibrate with fewer harmonics (hence less shrill) and also with lower amplitude (and also with lower duration).
edited 5 hours ago
answered 8 hours ago
user45664user45664
1,1182824
1,1182824
1
$begingroup$
Hmm. The way humans perceive a note's pitch is by the fundamental frequency of the note. Filtering out more or less higher harmonics doesn't change the pitch, it only changes the timbre. That why a particular note played on a piano and a clarinet sound differently, even if the pitch remains the same.
$endgroup$
– Gert
7 hours ago
$begingroup$
Good catch--I edited my answer.
$endgroup$
– user45664
5 hours ago
$begingroup$
Why though: Because of the way the atoms are arranged. And without a crystalline structure (as all metals have), it's not going to sound very good.
$endgroup$
– Mazura
3 mins ago
add a comment |
1
$begingroup$
Hmm. The way humans perceive a note's pitch is by the fundamental frequency of the note. Filtering out more or less higher harmonics doesn't change the pitch, it only changes the timbre. That why a particular note played on a piano and a clarinet sound differently, even if the pitch remains the same.
$endgroup$
– Gert
7 hours ago
$begingroup$
Good catch--I edited my answer.
$endgroup$
– user45664
5 hours ago
$begingroup$
Why though: Because of the way the atoms are arranged. And without a crystalline structure (as all metals have), it's not going to sound very good.
$endgroup$
– Mazura
3 mins ago
1
1
$begingroup$
Hmm. The way humans perceive a note's pitch is by the fundamental frequency of the note. Filtering out more or less higher harmonics doesn't change the pitch, it only changes the timbre. That why a particular note played on a piano and a clarinet sound differently, even if the pitch remains the same.
$endgroup$
– Gert
7 hours ago
$begingroup$
Hmm. The way humans perceive a note's pitch is by the fundamental frequency of the note. Filtering out more or less higher harmonics doesn't change the pitch, it only changes the timbre. That why a particular note played on a piano and a clarinet sound differently, even if the pitch remains the same.
$endgroup$
– Gert
7 hours ago
$begingroup$
Good catch--I edited my answer.
$endgroup$
– user45664
5 hours ago
$begingroup$
Good catch--I edited my answer.
$endgroup$
– user45664
5 hours ago
$begingroup$
Why though: Because of the way the atoms are arranged. And without a crystalline structure (as all metals have), it's not going to sound very good.
$endgroup$
– Mazura
3 mins ago
$begingroup$
Why though: Because of the way the atoms are arranged. And without a crystalline structure (as all metals have), it's not going to sound very good.
$endgroup$
– Mazura
3 mins ago
add a comment |
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