What is the cadence in one’s voice called when speaking parenthetically?
up vote
4
down vote
favorite
When speaking, is there a specific term for the inflection of one’s voice when adding a parenthetical comment such as,
"I am, however, unsure about this."
That drop in pitch when one says “however,” that is what I’m asking about.
Thank you
single-word-requests
|
show 4 more comments
up vote
4
down vote
favorite
When speaking, is there a specific term for the inflection of one’s voice when adding a parenthetical comment such as,
"I am, however, unsure about this."
That drop in pitch when one says “however,” that is what I’m asking about.
Thank you
single-word-requests
2
They don't have an answer, either. There's no canonical term. I call it "flatting", because it usually is a little lower in tone than the normal intonation, and it's maintained without much tonal variation. This is the tonal register used for presupposed material.
– John Lawler
Oct 20 at 15:10
1
Some references state that it's simply a matter of lowering volume, not necessarily pitch, but this paragraph I found indicates it may be a combo, assuming that's what you're referring to, so it is probably more complicated and better asked elsewhere as suggested. books.google.com/…
– KannE
Oct 20 at 17:52
1
HeWhoShallNotBeNamed: Nothing to worry. If needed, the question will get closed here and migrated to the appropriate alternate site. In any case, as @JohnLawler noted, there's no canonical term for this.
– Kris
Oct 22 at 6:14
1
@JohnLawler: That's a nice expression. In music, the ♭ symbol is derived from the Italian bemolle.
– jxh
Oct 22 at 19:32
1
sotto voce seems somewhat related, but generally (as KannE mentions) means lowering the volume, not pitch, of your voice.
– starwed
Dec 3 at 0:35
|
show 4 more comments
up vote
4
down vote
favorite
up vote
4
down vote
favorite
When speaking, is there a specific term for the inflection of one’s voice when adding a parenthetical comment such as,
"I am, however, unsure about this."
That drop in pitch when one says “however,” that is what I’m asking about.
Thank you
single-word-requests
When speaking, is there a specific term for the inflection of one’s voice when adding a parenthetical comment such as,
"I am, however, unsure about this."
That drop in pitch when one says “however,” that is what I’m asking about.
Thank you
single-word-requests
single-word-requests
edited Oct 20 at 4:37
asked Oct 20 at 2:41
user320354
2
They don't have an answer, either. There's no canonical term. I call it "flatting", because it usually is a little lower in tone than the normal intonation, and it's maintained without much tonal variation. This is the tonal register used for presupposed material.
– John Lawler
Oct 20 at 15:10
1
Some references state that it's simply a matter of lowering volume, not necessarily pitch, but this paragraph I found indicates it may be a combo, assuming that's what you're referring to, so it is probably more complicated and better asked elsewhere as suggested. books.google.com/…
– KannE
Oct 20 at 17:52
1
HeWhoShallNotBeNamed: Nothing to worry. If needed, the question will get closed here and migrated to the appropriate alternate site. In any case, as @JohnLawler noted, there's no canonical term for this.
– Kris
Oct 22 at 6:14
1
@JohnLawler: That's a nice expression. In music, the ♭ symbol is derived from the Italian bemolle.
– jxh
Oct 22 at 19:32
1
sotto voce seems somewhat related, but generally (as KannE mentions) means lowering the volume, not pitch, of your voice.
– starwed
Dec 3 at 0:35
|
show 4 more comments
2
They don't have an answer, either. There's no canonical term. I call it "flatting", because it usually is a little lower in tone than the normal intonation, and it's maintained without much tonal variation. This is the tonal register used for presupposed material.
– John Lawler
Oct 20 at 15:10
1
Some references state that it's simply a matter of lowering volume, not necessarily pitch, but this paragraph I found indicates it may be a combo, assuming that's what you're referring to, so it is probably more complicated and better asked elsewhere as suggested. books.google.com/…
– KannE
Oct 20 at 17:52
1
HeWhoShallNotBeNamed: Nothing to worry. If needed, the question will get closed here and migrated to the appropriate alternate site. In any case, as @JohnLawler noted, there's no canonical term for this.
– Kris
Oct 22 at 6:14
1
@JohnLawler: That's a nice expression. In music, the ♭ symbol is derived from the Italian bemolle.
– jxh
Oct 22 at 19:32
1
sotto voce seems somewhat related, but generally (as KannE mentions) means lowering the volume, not pitch, of your voice.
– starwed
Dec 3 at 0:35
2
2
They don't have an answer, either. There's no canonical term. I call it "flatting", because it usually is a little lower in tone than the normal intonation, and it's maintained without much tonal variation. This is the tonal register used for presupposed material.
– John Lawler
Oct 20 at 15:10
They don't have an answer, either. There's no canonical term. I call it "flatting", because it usually is a little lower in tone than the normal intonation, and it's maintained without much tonal variation. This is the tonal register used for presupposed material.
– John Lawler
Oct 20 at 15:10
1
1
Some references state that it's simply a matter of lowering volume, not necessarily pitch, but this paragraph I found indicates it may be a combo, assuming that's what you're referring to, so it is probably more complicated and better asked elsewhere as suggested. books.google.com/…
– KannE
Oct 20 at 17:52
Some references state that it's simply a matter of lowering volume, not necessarily pitch, but this paragraph I found indicates it may be a combo, assuming that's what you're referring to, so it is probably more complicated and better asked elsewhere as suggested. books.google.com/…
– KannE
Oct 20 at 17:52
1
1
HeWhoShallNotBeNamed: Nothing to worry. If needed, the question will get closed here and migrated to the appropriate alternate site. In any case, as @JohnLawler noted, there's no canonical term for this.
– Kris
Oct 22 at 6:14
HeWhoShallNotBeNamed: Nothing to worry. If needed, the question will get closed here and migrated to the appropriate alternate site. In any case, as @JohnLawler noted, there's no canonical term for this.
– Kris
Oct 22 at 6:14
1
1
@JohnLawler: That's a nice expression. In music, the ♭ symbol is derived from the Italian bemolle.
– jxh
Oct 22 at 19:32
@JohnLawler: That's a nice expression. In music, the ♭ symbol is derived from the Italian bemolle.
– jxh
Oct 22 at 19:32
1
1
sotto voce seems somewhat related, but generally (as KannE mentions) means lowering the volume, not pitch, of your voice.
– starwed
Dec 3 at 0:35
sotto voce seems somewhat related, but generally (as KannE mentions) means lowering the volume, not pitch, of your voice.
– starwed
Dec 3 at 0:35
|
show 4 more comments
1 Answer
1
active
oldest
votes
up vote
1
down vote
1) There is no single, agreed-upon term for the prosodic pattern of parenthetical constituents.
2) The most common and theory-neutral term is comma intonation (e.g. Emonds 1976, Culicover 1992, Brinton 2002, Huddleston & Pullum 2002, etc.).
3) Some researchers, especially those working on the interaction between syntax and prosody, use the term parenthetical dip following work by Dutch linguist Carla Schelfhout (e.g. Heringa 2012). I find this term quite adequate.
4) Scholars who are interested mainly in the semantics of parentheticals tend to have a more fanciful terminology (e.g. the introduction of a comma operator or comma feature in Potts 2007,
the rule Align R and so-called comma phrases and lower order prosodic constituents in Selkirk 2005, etc.).
5) The actual phonetic realization of parentheticals is remarkably complex. Scientists working on the different phonetic attributes of parenthetical intonation (e.g. for artificial speech) tend to not have one comprehensive term for the phenomenon because they dissect it into its constituent parts, such as 'maximum and minimum pitch levels', 'high and low tones' (see ToBI), 'length of pauses' or 'intonational phrasing' etc. (For a summary see for instance Bodenbender 1999.)
6) Irrespective of the syntactic pattern involved, the following collocates are commonly used to describe intonation: intonational contour, intonational pattern, prosodic cue and prosodic structure.
answered Dec 10 at 11:46
Richard Z
816
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
Your Answer
StackExchange.ready(function() {
var channelOptions = {
tags: "".split(" "),
id: "97"
};
initTagRenderer("".split(" "), "".split(" "), channelOptions);
StackExchange.using("externalEditor", function() {
// Have to fire editor after snippets, if snippets enabled
if (StackExchange.settings.snippets.snippetsEnabled) {
StackExchange.using("snippets", function() {
createEditor();
});
}
else {
createEditor();
}
});
function createEditor() {
StackExchange.prepareEditor({
heartbeatType: 'answer',
convertImagesToLinks: false,
noModals: true,
showLowRepImageUploadWarning: true,
reputationToPostImages: null,
bindNavPrevention: true,
postfix: "",
imageUploader: {
brandingHtml: "Powered by u003ca class="icon-imgur-white" href="https://imgur.com/"u003eu003c/au003e",
contentPolicyHtml: "User contributions licensed under u003ca href="https://creativecommons.org/licenses/by-sa/3.0/"u003ecc by-sa 3.0 with attribution requiredu003c/au003e u003ca href="https://stackoverflow.com/legal/content-policy"u003e(content policy)u003c/au003e",
allowUrls: true
},
noCode: true, onDemand: true,
discardSelector: ".discard-answer"
,immediatelyShowMarkdownHelp:true
});
}
});
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fenglish.stackexchange.com%2fquestions%2f469232%2fwhat-is-the-cadence-in-one-s-voice-called-when-speaking-parenthetically%23new-answer', 'question_page');
}
);
Post as a guest
Required, but never shown
1 Answer
1
active
oldest
votes
1 Answer
1
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
1
down vote
1) There is no single, agreed-upon term for the prosodic pattern of parenthetical constituents.
2) The most common and theory-neutral term is comma intonation (e.g. Emonds 1976, Culicover 1992, Brinton 2002, Huddleston & Pullum 2002, etc.).
3) Some researchers, especially those working on the interaction between syntax and prosody, use the term parenthetical dip following work by Dutch linguist Carla Schelfhout (e.g. Heringa 2012). I find this term quite adequate.
4) Scholars who are interested mainly in the semantics of parentheticals tend to have a more fanciful terminology (e.g. the introduction of a comma operator or comma feature in Potts 2007,
the rule Align R and so-called comma phrases and lower order prosodic constituents in Selkirk 2005, etc.).
5) The actual phonetic realization of parentheticals is remarkably complex. Scientists working on the different phonetic attributes of parenthetical intonation (e.g. for artificial speech) tend to not have one comprehensive term for the phenomenon because they dissect it into its constituent parts, such as 'maximum and minimum pitch levels', 'high and low tones' (see ToBI), 'length of pauses' or 'intonational phrasing' etc. (For a summary see for instance Bodenbender 1999.)
6) Irrespective of the syntactic pattern involved, the following collocates are commonly used to describe intonation: intonational contour, intonational pattern, prosodic cue and prosodic structure.
answered Dec 10 at 11:46
Richard Z
816
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
up vote
1
down vote
1) There is no single, agreed-upon term for the prosodic pattern of parenthetical constituents.
2) The most common and theory-neutral term is comma intonation (e.g. Emonds 1976, Culicover 1992, Brinton 2002, Huddleston & Pullum 2002, etc.).
3) Some researchers, especially those working on the interaction between syntax and prosody, use the term parenthetical dip following work by Dutch linguist Carla Schelfhout (e.g. Heringa 2012). I find this term quite adequate.
4) Scholars who are interested mainly in the semantics of parentheticals tend to have a more fanciful terminology (e.g. the introduction of a comma operator or comma feature in Potts 2007,
the rule Align R and so-called comma phrases and lower order prosodic constituents in Selkirk 2005, etc.).
5) The actual phonetic realization of parentheticals is remarkably complex. Scientists working on the different phonetic attributes of parenthetical intonation (e.g. for artificial speech) tend to not have one comprehensive term for the phenomenon because they dissect it into its constituent parts, such as 'maximum and minimum pitch levels', 'high and low tones' (see ToBI), 'length of pauses' or 'intonational phrasing' etc. (For a summary see for instance Bodenbender 1999.)
6) Irrespective of the syntactic pattern involved, the following collocates are commonly used to describe intonation: intonational contour, intonational pattern, prosodic cue and prosodic structure.
answered Dec 10 at 11:46
Richard Z
816
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
up vote
1
down vote
up vote
1
down vote
1) There is no single, agreed-upon term for the prosodic pattern of parenthetical constituents.
2) The most common and theory-neutral term is comma intonation (e.g. Emonds 1976, Culicover 1992, Brinton 2002, Huddleston & Pullum 2002, etc.).
3) Some researchers, especially those working on the interaction between syntax and prosody, use the term parenthetical dip following work by Dutch linguist Carla Schelfhout (e.g. Heringa 2012). I find this term quite adequate.
4) Scholars who are interested mainly in the semantics of parentheticals tend to have a more fanciful terminology (e.g. the introduction of a comma operator or comma feature in Potts 2007,
the rule Align R and so-called comma phrases and lower order prosodic constituents in Selkirk 2005, etc.).
5) The actual phonetic realization of parentheticals is remarkably complex. Scientists working on the different phonetic attributes of parenthetical intonation (e.g. for artificial speech) tend to not have one comprehensive term for the phenomenon because they dissect it into its constituent parts, such as 'maximum and minimum pitch levels', 'high and low tones' (see ToBI), 'length of pauses' or 'intonational phrasing' etc. (For a summary see for instance Bodenbender 1999.)
6) Irrespective of the syntactic pattern involved, the following collocates are commonly used to describe intonation: intonational contour, intonational pattern, prosodic cue and prosodic structure.
answered Dec 10 at 11:46
Richard Z
816
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
1) There is no single, agreed-upon term for the prosodic pattern of parenthetical constituents.
2) The most common and theory-neutral term is comma intonation (e.g. Emonds 1976, Culicover 1992, Brinton 2002, Huddleston & Pullum 2002, etc.).
3) Some researchers, especially those working on the interaction between syntax and prosody, use the term parenthetical dip following work by Dutch linguist Carla Schelfhout (e.g. Heringa 2012). I find this term quite adequate.
4) Scholars who are interested mainly in the semantics of parentheticals tend to have a more fanciful terminology (e.g. the introduction of a comma operator or comma feature in Potts 2007,
the rule Align R and so-called comma phrases and lower order prosodic constituents in Selkirk 2005, etc.).
5) The actual phonetic realization of parentheticals is remarkably complex. Scientists working on the different phonetic attributes of parenthetical intonation (e.g. for artificial speech) tend to not have one comprehensive term for the phenomenon because they dissect it into its constituent parts, such as 'maximum and minimum pitch levels', 'high and low tones' (see ToBI), 'length of pauses' or 'intonational phrasing' etc. (For a summary see for instance Bodenbender 1999.)
6) Irrespective of the syntactic pattern involved, the following collocates are commonly used to describe intonation: intonational contour, intonational pattern, prosodic cue and prosodic structure.
answered Dec 10 at 11:46
Richard Z
816
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
answered Dec 10 at 11:46
Richard Z
816
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
answered Dec 10 at 11:46
Richard Z
816
answered Dec 10 at 11:46
Richard Z
816
816
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
New contributor
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Richard Z is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
add a comment |
Thanks for contributing an answer to English Language & Usage Stack Exchange!
- Please be sure to answer the question. Provide details and share your research!
But avoid …
- Asking for help, clarification, or responding to other answers.
- Making statements based on opinion; back them up with references or personal experience.
To learn more, see our tips on writing great answers.
Some of your past answers have not been well-received, and you're in danger of being blocked from answering.
Please pay close attention to the following guidance:
- Please be sure to answer the question. Provide details and share your research!
But avoid …
- Asking for help, clarification, or responding to other answers.
- Making statements based on opinion; back them up with references or personal experience.
To learn more, see our tips on writing great answers.
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fenglish.stackexchange.com%2fquestions%2f469232%2fwhat-is-the-cadence-in-one-s-voice-called-when-speaking-parenthetically%23new-answer', 'question_page');
}
);
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
2
They don't have an answer, either. There's no canonical term. I call it "flatting", because it usually is a little lower in tone than the normal intonation, and it's maintained without much tonal variation. This is the tonal register used for presupposed material.
– John Lawler
Oct 20 at 15:10
1
Some references state that it's simply a matter of lowering volume, not necessarily pitch, but this paragraph I found indicates it may be a combo, assuming that's what you're referring to, so it is probably more complicated and better asked elsewhere as suggested. books.google.com/…
– KannE
Oct 20 at 17:52
1
HeWhoShallNotBeNamed: Nothing to worry. If needed, the question will get closed here and migrated to the appropriate alternate site. In any case, as @JohnLawler noted, there's no canonical term for this.
– Kris
Oct 22 at 6:14
1
@JohnLawler: That's a nice expression. In music, the ♭ symbol is derived from the Italian bemolle.
– jxh
Oct 22 at 19:32
1
sotto voce seems somewhat related, but generally (as KannE mentions) means lowering the volume, not pitch, of your voice.
– starwed
Dec 3 at 0:35