Writing Guitar Songs
up vote
2
down vote
favorite
Whenever I write a song on the guitar if I start it on the fifth fret, then all parts of the song start on the fifth fret, The intro riff, the chorus and verse riffs, everything. I'm a self taught guy so I never learned much about theory. Is that "bad practice"?
guitar songwriting
edited Dec 1 at 7:34
Tim
94.3k1097239
asked Dec 1 at 7:24
Bobby
111
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
up vote
2
down vote
favorite
Whenever I write a song on the guitar if I start it on the fifth fret, then all parts of the song start on the fifth fret, The intro riff, the chorus and verse riffs, everything. I'm a self taught guy so I never learned much about theory. Is that "bad practice"?
guitar songwriting
edited Dec 1 at 7:34
Tim
94.3k1097239
asked Dec 1 at 7:24
Bobby
111
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
up vote
2
down vote
favorite
up vote
2
down vote
favorite
Whenever I write a song on the guitar if I start it on the fifth fret, then all parts of the song start on the fifth fret, The intro riff, the chorus and verse riffs, everything. I'm a self taught guy so I never learned much about theory. Is that "bad practice"?
guitar songwriting
edited Dec 1 at 7:34
Tim
94.3k1097239
asked Dec 1 at 7:24
Bobby
111
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Whenever I write a song on the guitar if I start it on the fifth fret, then all parts of the song start on the fifth fret, The intro riff, the chorus and verse riffs, everything. I'm a self taught guy so I never learned much about theory. Is that "bad practice"?
guitar songwriting
guitar songwriting
edited Dec 1 at 7:34
Tim
94.3k1097239
asked Dec 1 at 7:24
Bobby
111
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
edited Dec 1 at 7:34
Tim
94.3k1097239
asked Dec 1 at 7:24
Bobby
111
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
edited Dec 1 at 7:34
Tim
94.3k1097239
edited Dec 1 at 7:34
Tim
94.3k1097239
edited Dec 1 at 7:34
Tim
94.3k1097239
94.3k1097239
asked Dec 1 at 7:24
Bobby
111
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked Dec 1 at 7:24
Bobby
111
asked Dec 1 at 7:24
Bobby
111
111
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
New contributor
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Bobby is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
add a comment |
2 Answers
2
active
oldest
votes
up vote
2
down vote
It is not necessarily bad - see AC/DC, Iron Maiden or Status Quo as examples of bands using very basic chord structures.
That said, it is very limiting to only compose in one key, or one fret position. It is well worth learning modes, keys, and the different positions you can play in.
Actually, if you are stuck in this one pattern, the single best thing you can do is go to a teacher for a few lessons, and they will help you break out of that rut by showing you new things to learn. If you don't have a teacher available, try one of millions of videos on YouTube, or start playing along to different music styles.
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
add a comment |
up vote
0
down vote
There are no iron clad rules to composition. But in my experience what we write is a reflection of what we listen to and copy. You say "...if I start it on the fifth fret, then all parts of the song start on the fifth fret,...". So are you also saying that you have written songs starting on the 3rd fret that move up and down the neck? I think this is important.
It is not a bad practice to stay in one place as long as your ideas fit there. Perhaps the 5th fret represents a comfort zone on the guitar where the tension is just right and the register is also just right. I find that if I'm playing (or writing) a song in E I divide my time between the 12th fret and the 7th, using two standard forms, and rhythm parts heavy on the open E. I don't like just staying on 12. But songs around the 3rd to 7th fret might be comfortable there.
Like the other answer implies, if you are limiting yourself that is not good in the long run, but if the song sound good don't judge it. If you are truly stuck in one position try learning a greater variety of songs to get a feel for the different positions and song structures.
answered Dec 1 at 13:35
ggcg
3,069219
add a comment |
2 Answers
2
active
oldest
votes
2 Answers
2
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
2
down vote
It is not necessarily bad - see AC/DC, Iron Maiden or Status Quo as examples of bands using very basic chord structures.
That said, it is very limiting to only compose in one key, or one fret position. It is well worth learning modes, keys, and the different positions you can play in.
Actually, if you are stuck in this one pattern, the single best thing you can do is go to a teacher for a few lessons, and they will help you break out of that rut by showing you new things to learn. If you don't have a teacher available, try one of millions of videos on YouTube, or start playing along to different music styles.
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
add a comment |
up vote
2
down vote
It is not necessarily bad - see AC/DC, Iron Maiden or Status Quo as examples of bands using very basic chord structures.
That said, it is very limiting to only compose in one key, or one fret position. It is well worth learning modes, keys, and the different positions you can play in.
Actually, if you are stuck in this one pattern, the single best thing you can do is go to a teacher for a few lessons, and they will help you break out of that rut by showing you new things to learn. If you don't have a teacher available, try one of millions of videos on YouTube, or start playing along to different music styles.
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
add a comment |
up vote
2
down vote
up vote
2
down vote
It is not necessarily bad - see AC/DC, Iron Maiden or Status Quo as examples of bands using very basic chord structures.
That said, it is very limiting to only compose in one key, or one fret position. It is well worth learning modes, keys, and the different positions you can play in.
Actually, if you are stuck in this one pattern, the single best thing you can do is go to a teacher for a few lessons, and they will help you break out of that rut by showing you new things to learn. If you don't have a teacher available, try one of millions of videos on YouTube, or start playing along to different music styles.
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
It is not necessarily bad - see AC/DC, Iron Maiden or Status Quo as examples of bands using very basic chord structures.
That said, it is very limiting to only compose in one key, or one fret position. It is well worth learning modes, keys, and the different positions you can play in.
Actually, if you are stuck in this one pattern, the single best thing you can do is go to a teacher for a few lessons, and they will help you break out of that rut by showing you new things to learn. If you don't have a teacher available, try one of millions of videos on YouTube, or start playing along to different music styles.
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
edited Dec 1 at 17:46
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
answered Dec 1 at 8:50
Doktor Mayhem♦
31.2k849124
31.2k849124
add a comment |
add a comment |
up vote
0
down vote
There are no iron clad rules to composition. But in my experience what we write is a reflection of what we listen to and copy. You say "...if I start it on the fifth fret, then all parts of the song start on the fifth fret,...". So are you also saying that you have written songs starting on the 3rd fret that move up and down the neck? I think this is important.
It is not a bad practice to stay in one place as long as your ideas fit there. Perhaps the 5th fret represents a comfort zone on the guitar where the tension is just right and the register is also just right. I find that if I'm playing (or writing) a song in E I divide my time between the 12th fret and the 7th, using two standard forms, and rhythm parts heavy on the open E. I don't like just staying on 12. But songs around the 3rd to 7th fret might be comfortable there.
Like the other answer implies, if you are limiting yourself that is not good in the long run, but if the song sound good don't judge it. If you are truly stuck in one position try learning a greater variety of songs to get a feel for the different positions and song structures.
answered Dec 1 at 13:35
ggcg
3,069219
add a comment |
up vote
0
down vote
There are no iron clad rules to composition. But in my experience what we write is a reflection of what we listen to and copy. You say "...if I start it on the fifth fret, then all parts of the song start on the fifth fret,...". So are you also saying that you have written songs starting on the 3rd fret that move up and down the neck? I think this is important.
It is not a bad practice to stay in one place as long as your ideas fit there. Perhaps the 5th fret represents a comfort zone on the guitar where the tension is just right and the register is also just right. I find that if I'm playing (or writing) a song in E I divide my time between the 12th fret and the 7th, using two standard forms, and rhythm parts heavy on the open E. I don't like just staying on 12. But songs around the 3rd to 7th fret might be comfortable there.
Like the other answer implies, if you are limiting yourself that is not good in the long run, but if the song sound good don't judge it. If you are truly stuck in one position try learning a greater variety of songs to get a feel for the different positions and song structures.
answered Dec 1 at 13:35
ggcg
3,069219
add a comment |
up vote
0
down vote
up vote
0
down vote
There are no iron clad rules to composition. But in my experience what we write is a reflection of what we listen to and copy. You say "...if I start it on the fifth fret, then all parts of the song start on the fifth fret,...". So are you also saying that you have written songs starting on the 3rd fret that move up and down the neck? I think this is important.
It is not a bad practice to stay in one place as long as your ideas fit there. Perhaps the 5th fret represents a comfort zone on the guitar where the tension is just right and the register is also just right. I find that if I'm playing (or writing) a song in E I divide my time between the 12th fret and the 7th, using two standard forms, and rhythm parts heavy on the open E. I don't like just staying on 12. But songs around the 3rd to 7th fret might be comfortable there.
Like the other answer implies, if you are limiting yourself that is not good in the long run, but if the song sound good don't judge it. If you are truly stuck in one position try learning a greater variety of songs to get a feel for the different positions and song structures.
answered Dec 1 at 13:35
ggcg
3,069219
There are no iron clad rules to composition. But in my experience what we write is a reflection of what we listen to and copy. You say "...if I start it on the fifth fret, then all parts of the song start on the fifth fret,...". So are you also saying that you have written songs starting on the 3rd fret that move up and down the neck? I think this is important.
It is not a bad practice to stay in one place as long as your ideas fit there. Perhaps the 5th fret represents a comfort zone on the guitar where the tension is just right and the register is also just right. I find that if I'm playing (or writing) a song in E I divide my time between the 12th fret and the 7th, using two standard forms, and rhythm parts heavy on the open E. I don't like just staying on 12. But songs around the 3rd to 7th fret might be comfortable there.
Like the other answer implies, if you are limiting yourself that is not good in the long run, but if the song sound good don't judge it. If you are truly stuck in one position try learning a greater variety of songs to get a feel for the different positions and song structures.
answered Dec 1 at 13:35
ggcg
3,069219
answered Dec 1 at 13:35
ggcg
3,069219
answered Dec 1 at 13:35
ggcg
3,069219
answered Dec 1 at 13:35
ggcg
3,069219
3,069219
add a comment |
add a comment |
Bobby is a new contributor. Be nice, and check out our Code of Conduct.
Bobby is a new contributor. Be nice, and check out our Code of Conduct.
Bobby is a new contributor. Be nice, and check out our Code of Conduct.
Bobby is a new contributor. Be nice, and check out our Code of Conduct.
Thanks for contributing an answer to Music: Practice & Theory Stack Exchange!
- Please be sure to answer the question. Provide details and share your research!
But avoid …
- Asking for help, clarification, or responding to other answers.
- Making statements based on opinion; back them up with references or personal experience.
To learn more, see our tips on writing great answers.
Some of your past answers have not been well-received, and you're in danger of being blocked from answering.
Please pay close attention to the following guidance:
- Please be sure to answer the question. Provide details and share your research!
But avoid …
- Asking for help, clarification, or responding to other answers.
- Making statements based on opinion; back them up with references or personal experience.
To learn more, see our tips on writing great answers.
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f77069%2fwriting-guitar-songs%23new-answer', 'question_page');
}
);
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
