Indirect complement or postmodifier in NP












0














In the sentence




He is the most talented artist (that) I know,




what is (that) I know in terms of function – an indirect complement, licensed by most, or simply a common postmodifier? Why?



Similarly, what is in the world in




the most talented artist in the world?











share|improve this question




















  • 1




    I've edited in quote marks, because the italics on their own were a bit unclear.
    – marcellothearcane
    2 days ago










  • @Hannah "(that) I know" is a relative clause modifying "artist". In your other example, the PP "in the world" is complement of "artist".
    – BillJ
    2 days ago










  • @BillJ Would it be possible for you develop this in an actual answer? I'd be very interested to know more about the way in which the PP is a complement, and also your thoughts on the fact that the relative clause "(that) I know" seems to connect with the head noun in a whole different way in the original example, compared to the way it connects in "the artist that I know", where it's clearly and indisputably a postmodifier. Thank you!
    – Hannah
    2 days ago










  • I don't have much to add. Relative clauses are modifiers, not complements, so the matter of licensing does not arise. On reflection, though, I would say that the PP "in the world" is a modifier not a complement since it doesn't have to be licensed by the head noun "artist".
    – BillJ
    yesterday










  • @BillJ Ok – then I understand in "in the world", thanks! :) I had no idea that relative clauses were always automatically modifiers though – good to know :) I just think there is a clear difference in the connection between the head noun and the relative clause depending on whether or not we keep "most talented", but I suppose it's just my intuition that fails me then. Thanks again!
    – Hannah
    yesterday
















0














In the sentence




He is the most talented artist (that) I know,




what is (that) I know in terms of function – an indirect complement, licensed by most, or simply a common postmodifier? Why?



Similarly, what is in the world in




the most talented artist in the world?











share|improve this question




















  • 1




    I've edited in quote marks, because the italics on their own were a bit unclear.
    – marcellothearcane
    2 days ago










  • @Hannah "(that) I know" is a relative clause modifying "artist". In your other example, the PP "in the world" is complement of "artist".
    – BillJ
    2 days ago










  • @BillJ Would it be possible for you develop this in an actual answer? I'd be very interested to know more about the way in which the PP is a complement, and also your thoughts on the fact that the relative clause "(that) I know" seems to connect with the head noun in a whole different way in the original example, compared to the way it connects in "the artist that I know", where it's clearly and indisputably a postmodifier. Thank you!
    – Hannah
    2 days ago










  • I don't have much to add. Relative clauses are modifiers, not complements, so the matter of licensing does not arise. On reflection, though, I would say that the PP "in the world" is a modifier not a complement since it doesn't have to be licensed by the head noun "artist".
    – BillJ
    yesterday










  • @BillJ Ok – then I understand in "in the world", thanks! :) I had no idea that relative clauses were always automatically modifiers though – good to know :) I just think there is a clear difference in the connection between the head noun and the relative clause depending on whether or not we keep "most talented", but I suppose it's just my intuition that fails me then. Thanks again!
    – Hannah
    yesterday














0












0








0


1





In the sentence




He is the most talented artist (that) I know,




what is (that) I know in terms of function – an indirect complement, licensed by most, or simply a common postmodifier? Why?



Similarly, what is in the world in




the most talented artist in the world?











share|improve this question















In the sentence




He is the most talented artist (that) I know,




what is (that) I know in terms of function – an indirect complement, licensed by most, or simply a common postmodifier? Why?



Similarly, what is in the world in




the most talented artist in the world?








modifiers complements parsing






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited 2 days ago









marcellothearcane

4,3771640




4,3771640










asked 2 days ago









Hannah

666




666








  • 1




    I've edited in quote marks, because the italics on their own were a bit unclear.
    – marcellothearcane
    2 days ago










  • @Hannah "(that) I know" is a relative clause modifying "artist". In your other example, the PP "in the world" is complement of "artist".
    – BillJ
    2 days ago










  • @BillJ Would it be possible for you develop this in an actual answer? I'd be very interested to know more about the way in which the PP is a complement, and also your thoughts on the fact that the relative clause "(that) I know" seems to connect with the head noun in a whole different way in the original example, compared to the way it connects in "the artist that I know", where it's clearly and indisputably a postmodifier. Thank you!
    – Hannah
    2 days ago










  • I don't have much to add. Relative clauses are modifiers, not complements, so the matter of licensing does not arise. On reflection, though, I would say that the PP "in the world" is a modifier not a complement since it doesn't have to be licensed by the head noun "artist".
    – BillJ
    yesterday










  • @BillJ Ok – then I understand in "in the world", thanks! :) I had no idea that relative clauses were always automatically modifiers though – good to know :) I just think there is a clear difference in the connection between the head noun and the relative clause depending on whether or not we keep "most talented", but I suppose it's just my intuition that fails me then. Thanks again!
    – Hannah
    yesterday














  • 1




    I've edited in quote marks, because the italics on their own were a bit unclear.
    – marcellothearcane
    2 days ago










  • @Hannah "(that) I know" is a relative clause modifying "artist". In your other example, the PP "in the world" is complement of "artist".
    – BillJ
    2 days ago










  • @BillJ Would it be possible for you develop this in an actual answer? I'd be very interested to know more about the way in which the PP is a complement, and also your thoughts on the fact that the relative clause "(that) I know" seems to connect with the head noun in a whole different way in the original example, compared to the way it connects in "the artist that I know", where it's clearly and indisputably a postmodifier. Thank you!
    – Hannah
    2 days ago










  • I don't have much to add. Relative clauses are modifiers, not complements, so the matter of licensing does not arise. On reflection, though, I would say that the PP "in the world" is a modifier not a complement since it doesn't have to be licensed by the head noun "artist".
    – BillJ
    yesterday










  • @BillJ Ok – then I understand in "in the world", thanks! :) I had no idea that relative clauses were always automatically modifiers though – good to know :) I just think there is a clear difference in the connection between the head noun and the relative clause depending on whether or not we keep "most talented", but I suppose it's just my intuition that fails me then. Thanks again!
    – Hannah
    yesterday








1




1




I've edited in quote marks, because the italics on their own were a bit unclear.
– marcellothearcane
2 days ago




I've edited in quote marks, because the italics on their own were a bit unclear.
– marcellothearcane
2 days ago












@Hannah "(that) I know" is a relative clause modifying "artist". In your other example, the PP "in the world" is complement of "artist".
– BillJ
2 days ago




@Hannah "(that) I know" is a relative clause modifying "artist". In your other example, the PP "in the world" is complement of "artist".
– BillJ
2 days ago












@BillJ Would it be possible for you develop this in an actual answer? I'd be very interested to know more about the way in which the PP is a complement, and also your thoughts on the fact that the relative clause "(that) I know" seems to connect with the head noun in a whole different way in the original example, compared to the way it connects in "the artist that I know", where it's clearly and indisputably a postmodifier. Thank you!
– Hannah
2 days ago




@BillJ Would it be possible for you develop this in an actual answer? I'd be very interested to know more about the way in which the PP is a complement, and also your thoughts on the fact that the relative clause "(that) I know" seems to connect with the head noun in a whole different way in the original example, compared to the way it connects in "the artist that I know", where it's clearly and indisputably a postmodifier. Thank you!
– Hannah
2 days ago












I don't have much to add. Relative clauses are modifiers, not complements, so the matter of licensing does not arise. On reflection, though, I would say that the PP "in the world" is a modifier not a complement since it doesn't have to be licensed by the head noun "artist".
– BillJ
yesterday




I don't have much to add. Relative clauses are modifiers, not complements, so the matter of licensing does not arise. On reflection, though, I would say that the PP "in the world" is a modifier not a complement since it doesn't have to be licensed by the head noun "artist".
– BillJ
yesterday












@BillJ Ok – then I understand in "in the world", thanks! :) I had no idea that relative clauses were always automatically modifiers though – good to know :) I just think there is a clear difference in the connection between the head noun and the relative clause depending on whether or not we keep "most talented", but I suppose it's just my intuition that fails me then. Thanks again!
– Hannah
yesterday




@BillJ Ok – then I understand in "in the world", thanks! :) I had no idea that relative clauses were always automatically modifiers though – good to know :) I just think there is a clear difference in the connection between the head noun and the relative clause depending on whether or not we keep "most talented", but I suppose it's just my intuition that fails me then. Thanks again!
– Hannah
yesterday










1 Answer
1






active

oldest

votes


















0














Both of these are simply the Superlative construction.



Most is a superlative marker and takes a superlative construction. One of the things required for the construction is a range for comparison, which can be expressed as a relative clause modifying the superlative NP:




  • He is the tallest boy who is in the class.


Of course, such relative clauses are often trimmed down to prepositional phrases by Whiz Deletion:




  • He is the tallest boy in the class.


In your terms, yes, it's a post-modifier and it's licensed by most (or by -est).

If you called it an indirect complement I'd be puzzled, but that's nothing new.

I don't know what you'd call a reduced relative clause.

It may be a heretical notion, though it's not a new one.






share|improve this answer





















  • Thanks @John Lawler! I'm confused by the part about being licensed, but still being a modifier though... and also, if it is indeed licensed by "most", it has to be indirect, right? So your answer seems a little bit contradictory to me. I'm sure it's just me being a bit slow though, so if you could clarify, I'd be very grateful.
    – Hannah
    2 days ago












  • I have no idea what you mean by "indirect". Licensing has to do with particular constituents that allow other constituents to occur, the way negation licenses negative polarity items like ever or any
    – John Lawler
    yesterday










  • Sorry, I'm speaking in CaGEL's terms – I haven't got it with me at the moment, so I can't give page references unfortunately... but like "than this" in "a longer lecture than this" which is an indirect complement in the NP, since it's licensed by "-er" in "longer" rather than by the head noun. As for licensing, I agree, but I thought that was the whole point of the distinction between complements and modifiers – that complements, but not modifiers, need to be licensed, so I don't quite understand how it's not a complement if it needs to be licensed... see what I mean?
    – Hannah
    yesterday










  • That may be the whole point of the distinction between complements and modifiers, but frankly I don't find that to be a useful distinction, and I don't use it. Nothing particular hinges on it; it's just pilpul.
    – John Lawler
    14 hours ago






  • 1




    Pilpul – haha, I kind of agree, actually... I was just revisiting the idea of licensing and thinking basically just that. Might post a question about it, because as far as I can see quite a lot does hinge on it in CaGIL...
    – Hannah
    4 hours ago











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1 Answer
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active

oldest

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1 Answer
1






active

oldest

votes









active

oldest

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active

oldest

votes









0














Both of these are simply the Superlative construction.



Most is a superlative marker and takes a superlative construction. One of the things required for the construction is a range for comparison, which can be expressed as a relative clause modifying the superlative NP:




  • He is the tallest boy who is in the class.


Of course, such relative clauses are often trimmed down to prepositional phrases by Whiz Deletion:




  • He is the tallest boy in the class.


In your terms, yes, it's a post-modifier and it's licensed by most (or by -est).

If you called it an indirect complement I'd be puzzled, but that's nothing new.

I don't know what you'd call a reduced relative clause.

It may be a heretical notion, though it's not a new one.






share|improve this answer





















  • Thanks @John Lawler! I'm confused by the part about being licensed, but still being a modifier though... and also, if it is indeed licensed by "most", it has to be indirect, right? So your answer seems a little bit contradictory to me. I'm sure it's just me being a bit slow though, so if you could clarify, I'd be very grateful.
    – Hannah
    2 days ago












  • I have no idea what you mean by "indirect". Licensing has to do with particular constituents that allow other constituents to occur, the way negation licenses negative polarity items like ever or any
    – John Lawler
    yesterday










  • Sorry, I'm speaking in CaGEL's terms – I haven't got it with me at the moment, so I can't give page references unfortunately... but like "than this" in "a longer lecture than this" which is an indirect complement in the NP, since it's licensed by "-er" in "longer" rather than by the head noun. As for licensing, I agree, but I thought that was the whole point of the distinction between complements and modifiers – that complements, but not modifiers, need to be licensed, so I don't quite understand how it's not a complement if it needs to be licensed... see what I mean?
    – Hannah
    yesterday










  • That may be the whole point of the distinction between complements and modifiers, but frankly I don't find that to be a useful distinction, and I don't use it. Nothing particular hinges on it; it's just pilpul.
    – John Lawler
    14 hours ago






  • 1




    Pilpul – haha, I kind of agree, actually... I was just revisiting the idea of licensing and thinking basically just that. Might post a question about it, because as far as I can see quite a lot does hinge on it in CaGIL...
    – Hannah
    4 hours ago
















0














Both of these are simply the Superlative construction.



Most is a superlative marker and takes a superlative construction. One of the things required for the construction is a range for comparison, which can be expressed as a relative clause modifying the superlative NP:




  • He is the tallest boy who is in the class.


Of course, such relative clauses are often trimmed down to prepositional phrases by Whiz Deletion:




  • He is the tallest boy in the class.


In your terms, yes, it's a post-modifier and it's licensed by most (or by -est).

If you called it an indirect complement I'd be puzzled, but that's nothing new.

I don't know what you'd call a reduced relative clause.

It may be a heretical notion, though it's not a new one.






share|improve this answer





















  • Thanks @John Lawler! I'm confused by the part about being licensed, but still being a modifier though... and also, if it is indeed licensed by "most", it has to be indirect, right? So your answer seems a little bit contradictory to me. I'm sure it's just me being a bit slow though, so if you could clarify, I'd be very grateful.
    – Hannah
    2 days ago












  • I have no idea what you mean by "indirect". Licensing has to do with particular constituents that allow other constituents to occur, the way negation licenses negative polarity items like ever or any
    – John Lawler
    yesterday










  • Sorry, I'm speaking in CaGEL's terms – I haven't got it with me at the moment, so I can't give page references unfortunately... but like "than this" in "a longer lecture than this" which is an indirect complement in the NP, since it's licensed by "-er" in "longer" rather than by the head noun. As for licensing, I agree, but I thought that was the whole point of the distinction between complements and modifiers – that complements, but not modifiers, need to be licensed, so I don't quite understand how it's not a complement if it needs to be licensed... see what I mean?
    – Hannah
    yesterday










  • That may be the whole point of the distinction between complements and modifiers, but frankly I don't find that to be a useful distinction, and I don't use it. Nothing particular hinges on it; it's just pilpul.
    – John Lawler
    14 hours ago






  • 1




    Pilpul – haha, I kind of agree, actually... I was just revisiting the idea of licensing and thinking basically just that. Might post a question about it, because as far as I can see quite a lot does hinge on it in CaGIL...
    – Hannah
    4 hours ago














0












0








0






Both of these are simply the Superlative construction.



Most is a superlative marker and takes a superlative construction. One of the things required for the construction is a range for comparison, which can be expressed as a relative clause modifying the superlative NP:




  • He is the tallest boy who is in the class.


Of course, such relative clauses are often trimmed down to prepositional phrases by Whiz Deletion:




  • He is the tallest boy in the class.


In your terms, yes, it's a post-modifier and it's licensed by most (or by -est).

If you called it an indirect complement I'd be puzzled, but that's nothing new.

I don't know what you'd call a reduced relative clause.

It may be a heretical notion, though it's not a new one.






share|improve this answer












Both of these are simply the Superlative construction.



Most is a superlative marker and takes a superlative construction. One of the things required for the construction is a range for comparison, which can be expressed as a relative clause modifying the superlative NP:




  • He is the tallest boy who is in the class.


Of course, such relative clauses are often trimmed down to prepositional phrases by Whiz Deletion:




  • He is the tallest boy in the class.


In your terms, yes, it's a post-modifier and it's licensed by most (or by -est).

If you called it an indirect complement I'd be puzzled, but that's nothing new.

I don't know what you'd call a reduced relative clause.

It may be a heretical notion, though it's not a new one.







share|improve this answer












share|improve this answer



share|improve this answer










answered 2 days ago









John Lawler

84.1k6116328




84.1k6116328












  • Thanks @John Lawler! I'm confused by the part about being licensed, but still being a modifier though... and also, if it is indeed licensed by "most", it has to be indirect, right? So your answer seems a little bit contradictory to me. I'm sure it's just me being a bit slow though, so if you could clarify, I'd be very grateful.
    – Hannah
    2 days ago












  • I have no idea what you mean by "indirect". Licensing has to do with particular constituents that allow other constituents to occur, the way negation licenses negative polarity items like ever or any
    – John Lawler
    yesterday










  • Sorry, I'm speaking in CaGEL's terms – I haven't got it with me at the moment, so I can't give page references unfortunately... but like "than this" in "a longer lecture than this" which is an indirect complement in the NP, since it's licensed by "-er" in "longer" rather than by the head noun. As for licensing, I agree, but I thought that was the whole point of the distinction between complements and modifiers – that complements, but not modifiers, need to be licensed, so I don't quite understand how it's not a complement if it needs to be licensed... see what I mean?
    – Hannah
    yesterday










  • That may be the whole point of the distinction between complements and modifiers, but frankly I don't find that to be a useful distinction, and I don't use it. Nothing particular hinges on it; it's just pilpul.
    – John Lawler
    14 hours ago






  • 1




    Pilpul – haha, I kind of agree, actually... I was just revisiting the idea of licensing and thinking basically just that. Might post a question about it, because as far as I can see quite a lot does hinge on it in CaGIL...
    – Hannah
    4 hours ago


















  • Thanks @John Lawler! I'm confused by the part about being licensed, but still being a modifier though... and also, if it is indeed licensed by "most", it has to be indirect, right? So your answer seems a little bit contradictory to me. I'm sure it's just me being a bit slow though, so if you could clarify, I'd be very grateful.
    – Hannah
    2 days ago












  • I have no idea what you mean by "indirect". Licensing has to do with particular constituents that allow other constituents to occur, the way negation licenses negative polarity items like ever or any
    – John Lawler
    yesterday










  • Sorry, I'm speaking in CaGEL's terms – I haven't got it with me at the moment, so I can't give page references unfortunately... but like "than this" in "a longer lecture than this" which is an indirect complement in the NP, since it's licensed by "-er" in "longer" rather than by the head noun. As for licensing, I agree, but I thought that was the whole point of the distinction between complements and modifiers – that complements, but not modifiers, need to be licensed, so I don't quite understand how it's not a complement if it needs to be licensed... see what I mean?
    – Hannah
    yesterday










  • That may be the whole point of the distinction between complements and modifiers, but frankly I don't find that to be a useful distinction, and I don't use it. Nothing particular hinges on it; it's just pilpul.
    – John Lawler
    14 hours ago






  • 1




    Pilpul – haha, I kind of agree, actually... I was just revisiting the idea of licensing and thinking basically just that. Might post a question about it, because as far as I can see quite a lot does hinge on it in CaGIL...
    – Hannah
    4 hours ago
















Thanks @John Lawler! I'm confused by the part about being licensed, but still being a modifier though... and also, if it is indeed licensed by "most", it has to be indirect, right? So your answer seems a little bit contradictory to me. I'm sure it's just me being a bit slow though, so if you could clarify, I'd be very grateful.
– Hannah
2 days ago






Thanks @John Lawler! I'm confused by the part about being licensed, but still being a modifier though... and also, if it is indeed licensed by "most", it has to be indirect, right? So your answer seems a little bit contradictory to me. I'm sure it's just me being a bit slow though, so if you could clarify, I'd be very grateful.
– Hannah
2 days ago














I have no idea what you mean by "indirect". Licensing has to do with particular constituents that allow other constituents to occur, the way negation licenses negative polarity items like ever or any
– John Lawler
yesterday




I have no idea what you mean by "indirect". Licensing has to do with particular constituents that allow other constituents to occur, the way negation licenses negative polarity items like ever or any
– John Lawler
yesterday












Sorry, I'm speaking in CaGEL's terms – I haven't got it with me at the moment, so I can't give page references unfortunately... but like "than this" in "a longer lecture than this" which is an indirect complement in the NP, since it's licensed by "-er" in "longer" rather than by the head noun. As for licensing, I agree, but I thought that was the whole point of the distinction between complements and modifiers – that complements, but not modifiers, need to be licensed, so I don't quite understand how it's not a complement if it needs to be licensed... see what I mean?
– Hannah
yesterday




Sorry, I'm speaking in CaGEL's terms – I haven't got it with me at the moment, so I can't give page references unfortunately... but like "than this" in "a longer lecture than this" which is an indirect complement in the NP, since it's licensed by "-er" in "longer" rather than by the head noun. As for licensing, I agree, but I thought that was the whole point of the distinction between complements and modifiers – that complements, but not modifiers, need to be licensed, so I don't quite understand how it's not a complement if it needs to be licensed... see what I mean?
– Hannah
yesterday












That may be the whole point of the distinction between complements and modifiers, but frankly I don't find that to be a useful distinction, and I don't use it. Nothing particular hinges on it; it's just pilpul.
– John Lawler
14 hours ago




That may be the whole point of the distinction between complements and modifiers, but frankly I don't find that to be a useful distinction, and I don't use it. Nothing particular hinges on it; it's just pilpul.
– John Lawler
14 hours ago




1




1




Pilpul – haha, I kind of agree, actually... I was just revisiting the idea of licensing and thinking basically just that. Might post a question about it, because as far as I can see quite a lot does hinge on it in CaGIL...
– Hannah
4 hours ago




Pilpul – haha, I kind of agree, actually... I was just revisiting the idea of licensing and thinking basically just that. Might post a question about it, because as far as I can see quite a lot does hinge on it in CaGIL...
– Hannah
4 hours ago


















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