How writing a dominant 7 sus4 chord in RNA ( Vsus7 chord in the 1st inversion)
Maybe I’ve just a black out. But I wanted to notate a V7sus (inversion 1) writing a dominant 7 without the suspension of the 4th in RNA. No idea ...
g,c,d,f => c,d,f,g
notation roman-numerals figured-bass
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Maybe I’ve just a black out. But I wanted to notate a V7sus (inversion 1) writing a dominant 7 without the suspension of the 4th in RNA. No idea ...
g,c,d,f => c,d,f,g
notation roman-numerals figured-bass
add a comment |
Maybe I’ve just a black out. But I wanted to notate a V7sus (inversion 1) writing a dominant 7 without the suspension of the 4th in RNA. No idea ...
g,c,d,f => c,d,f,g
notation roman-numerals figured-bass
Maybe I’ve just a black out. But I wanted to notate a V7sus (inversion 1) writing a dominant 7 without the suspension of the 4th in RNA. No idea ...
g,c,d,f => c,d,f,g
notation roman-numerals figured-bass
notation roman-numerals figured-bass
edited Apr 3 at 21:38
Albrecht Hügli
asked Apr 3 at 21:20
Albrecht HügliAlbrecht Hügli
4,7981320
4,7981320
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The suspension won't be shown in the Roman numerals, but it can be shown in the figured bass:
As long as we remember that figured bass shows the intervals above the bottom pitch, it just becomes a simple counting exercise.
Combined with Roman numerals, we would label beats 3 and 4 of the first measure as a V chord, and we just have to understand that the C on beat 3 is a suspension:
For a related question, see Figured bass 52?
I returned to edit my answer with a suggestion to use a 45 figure, realized I misunderstood the inversion aspect, and removed my answer entirely. Richard's answer makes perfectly clear what to do.
– Michael Curtis
Apr 4 at 18:07
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active
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votes
The suspension won't be shown in the Roman numerals, but it can be shown in the figured bass:
As long as we remember that figured bass shows the intervals above the bottom pitch, it just becomes a simple counting exercise.
Combined with Roman numerals, we would label beats 3 and 4 of the first measure as a V chord, and we just have to understand that the C on beat 3 is a suspension:
For a related question, see Figured bass 52?
I returned to edit my answer with a suggestion to use a 45 figure, realized I misunderstood the inversion aspect, and removed my answer entirely. Richard's answer makes perfectly clear what to do.
– Michael Curtis
Apr 4 at 18:07
add a comment |
The suspension won't be shown in the Roman numerals, but it can be shown in the figured bass:
As long as we remember that figured bass shows the intervals above the bottom pitch, it just becomes a simple counting exercise.
Combined with Roman numerals, we would label beats 3 and 4 of the first measure as a V chord, and we just have to understand that the C on beat 3 is a suspension:
For a related question, see Figured bass 52?
I returned to edit my answer with a suggestion to use a 45 figure, realized I misunderstood the inversion aspect, and removed my answer entirely. Richard's answer makes perfectly clear what to do.
– Michael Curtis
Apr 4 at 18:07
add a comment |
The suspension won't be shown in the Roman numerals, but it can be shown in the figured bass:
As long as we remember that figured bass shows the intervals above the bottom pitch, it just becomes a simple counting exercise.
Combined with Roman numerals, we would label beats 3 and 4 of the first measure as a V chord, and we just have to understand that the C on beat 3 is a suspension:
For a related question, see Figured bass 52?
The suspension won't be shown in the Roman numerals, but it can be shown in the figured bass:
As long as we remember that figured bass shows the intervals above the bottom pitch, it just becomes a simple counting exercise.
Combined with Roman numerals, we would label beats 3 and 4 of the first measure as a V chord, and we just have to understand that the C on beat 3 is a suspension:
For a related question, see Figured bass 52?
answered Apr 3 at 21:50
RichardRichard
46.2k7112198
46.2k7112198
I returned to edit my answer with a suggestion to use a 45 figure, realized I misunderstood the inversion aspect, and removed my answer entirely. Richard's answer makes perfectly clear what to do.
– Michael Curtis
Apr 4 at 18:07
add a comment |
I returned to edit my answer with a suggestion to use a 45 figure, realized I misunderstood the inversion aspect, and removed my answer entirely. Richard's answer makes perfectly clear what to do.
– Michael Curtis
Apr 4 at 18:07
I returned to edit my answer with a suggestion to use a 45 figure, realized I misunderstood the inversion aspect, and removed my answer entirely. Richard's answer makes perfectly clear what to do.
– Michael Curtis
Apr 4 at 18:07
I returned to edit my answer with a suggestion to use a 45 figure, realized I misunderstood the inversion aspect, and removed my answer entirely. Richard's answer makes perfectly clear what to do.
– Michael Curtis
Apr 4 at 18:07
add a comment |
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